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6—Editing Algorithms
24 ENSONIQ DP/Pro Reference Manual
23 Non-Lin Reverb 1
Early
Reflections
Early
Reflections
Primary Send
ER1 Time, Send
ER2 Time, Send
2 3 4 5 6 7 8 9
2 3 4 5 6 7 8 9
Output
Left
Right
1
1
Reverberator
HF Damping
Density 1, 2
Balance
Env Levels
Env Levels
Diffuser
Diffuser
Diffuser 1, 2
HF
Bandwidth
HF
Bandwidth
Right
Left
Input
+
+
Description: Non-Lin can be used to obtain gated reverb, reverse reverb, blooming reverb, and early
reflections. Non- linear reverbs have a decay characteristic that is generally unlike that of real rooms.
I/O Characteristics: Stereo-in, stereo-out.
Parameter Name Ref Value Min Max Attributes
Env 1 Level 0% -99% +99% B
Env 2 Level 0% -99% +99% B
Env 3 Level 0% -99% +99% B
Env 4 Level 0% -99% +99% B
Env 5 Level 0% -99% +99% B
Env 6 Level 0% -99% +99% B
Env 7 Level 0% -99% +99% B
Env 8 Level 0% -99% +99% B
Env 9 Level 0% -99% +99% B
HF Damping 20.0kHz 100Hz 21.2kHz H
HF Bandwidth 20.0kHz 100Hz 21.2kHz H
Primary Send 0% -99% +99% B
Diffus1 0 0 100
Diffus2 0 0 100
Density 1 0 0 100
Density 2 0 0 100
ER 1 Time 0ms 0ms 200ms
ER 1 Send 0% -99% +99% B
ER 2 Time 0ms 0ms 200ms
ER 2 Send 0% -99% +99% B
Balance Center Full <L Full >R
B=parameter has bi-polar range G=maximum gain limited by Set Max Gain System/MIDI parameter
H=high-frequency limit determined by system sample rate M=parameter has supplemental metered display
L=lowest frequency limited by Set Min Freq System/MIDI parameter T=parameter can be synchronized to system clock or MIDI clocks
- V e r s i o n 1 . 1 0 1
- IMPORTANT: 2
- DP/Pro Front Panel View 3
- DP/Pro Rear Panel View 3
- Front and Rear Panel Key 4
- 1—Introduction 9
- A DP/Pro Effect 11
- Effect Finder 12
- Fast Editing of Parameters 13
- Bypassing ESP-A and ESP-B 13
- Real-Time Effect Modulation 14
- The DP/Pro and MIDI 15
- Important: Two Final Concepts 15
- Inst alling th e DP /P r o 16
- Polarization and Grounding 17
- AC Line Conditioning 17
- Rack Mounting Guidelines 17
- Tr ouble shoot ing 18
- Warning! Main battery is 19
- low. See manual 19
- Reinitializing the DP/Pro 19
- 2—System/MIDI Parameters 20
- Global MID I Se t t ings 22
- Cntlr=DP Cntlr 34
- Show Undef Effects=Yes O.S 42
- Version: 1.10 42
- Se le c t ing Ef f e c t s 43
- Selecting Effects Via MIDI 44
- F inding Ef f ec t s 45
- The Effect Finder Display 46
- Performing a Find 46
- No Match Found 47
- 4—Signal Routing 48
- Stereo: Parallel-S 49
- Stereo: Parallel-M 49
- 2-Mono: Dual Mono 49
- Selecting a Routing 51
- The DP/Pro Algorithms 52
- 6—Editing Algorithms 55
- Shar e d L FO Wave shape s 56
- 1 No Effect 57
- 2 Mastering Limiter 57
- 3 Compressor/Limiter 58
- 4 Compressor 59
- 5 Servo Limiter 59
- 6 3-Band Comp/Lim 60
- 7 Expander 61
- 8 Stereo Gate 62
- 9 Dual-Mono Gate 63
- 10 De-Esser 64
- 11 Stereo Synthesizer 65
- 12 Stereo Re-Imager 65
- 13 Variable-Tap Delay 66
- 14 Spatial Delays 67
- 15 Ping-Pong Delay 69
- 16 Stereo Delay 70
- 17 Loop Recorder 71
- 18 Expert Reverb 72
- 19 Expert Reverb 2 73
- 20 Reflection Modeler 75
- 21 Small Ambience 1 76
- 22 Small Ambience 2 77
- 23 Non-Lin Reverb 1 78
- 24 Non-Lin Reverb 2 79
- 25 Multi-Pitch Shift 80
- 26 Multi-Chorus 82
- 27 Flanger 84
- 28 Phaser 85
- 29 Tremolo 87
- 30 Panner 88
- 31 Chatter Box 89
- 32 Rotary Speaker 90
- 33 Tunable Speaker 91
- 34 Parametric EQ 92
- 35 Octave EQ 93
- 36 Delay+Chorus 94
- 37 Delay+Flanger 95
- 38 Delay+Phaser 96
- 39 Distortion+Chorus 97
- 40 Distortion+Flanger 98
- 41 Distortion+Phaser 99
- 42 Signal Generator 100
- U sing the Copy/Sw ap T ools 101
- 8—Mixing 103
- What this Parameter Does: 104
- ESP-A: Mixer Params AlgoA 107
- Out Mix=Full Wet 107
- 9—Tweak Parameters 108
- Tweak Tap 110
- Previous Next 110
- 10—Effect Modulation 111
- Se le c t ing a Modulat or 112
- What these Parameters Do: 113
- MIDI and the Tweak Knobs 117
- LFO 1 Shape=Sine Rate=1/2 118
- Note Phase=45 118
- Setting a Mod LFO’s Speed 119
- 11—Saving Effects 121
- The Saving D isplays 122
- Replace old effect 0000? 124
- ENTER=Yes PREV=Go Back 124
- 12—Supplemental Information 125
- Before After 132
- A bout Gr oun d Loops 134
- N e e d M or e He lp? 136
- 13—Glossary 137
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