ENSONIQ TS-10 Specifications Page 118
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TS-10 Musician’s Manual Section 7 — Effect Parameters
23
28 HALL REVERB 2
This algorithm can be programmed with a high degree of precision. HALL REVERB 2 is a large
acoustic space providing a high density reverb.
HALL REVERB 2 Signal Routing
Diffuser
Main
Outputs
FX1 Left
FX2 Left
LPF
LPF
Definition
(Decay Diffuser)
Echo TimeEcho Time
L
DiffuserLPF
LPF
Definition
(Decay Diffuser)
Echo TimeEcho Time
R
FX1 Right
FX2 Right
The signal enters a low pass filter and goes directly through the diffusers which smear the signal.
The signal is then routed to a larger decay diffuser, known as Definition, and is diffused over a
period of time (creating a decay). There are taps from both the left and right Definition that are
routed to the output to create a synthesized stereo output. A signal from the Definition goes
through a low pass filter followed by a low-frequency decay parameter, which controls the rate of
decay of the low frequencies. There is also a parameter at this stage that controls the decay time
of both the left and right signals. The left and right signals are routed back into the Definition.
There are two echo times between the diffuser and the definition that can be routed directly to
the output, or sent back through the definition. The EFFECT MIX FX-1 and FX-2 parameters
allow you to create a Dry/Wet mix.
DECAY TIME Range: 0.70 to 250. sec
Controls the amount of time it takes for the reverberation to decay to a very low level after the
input signal stops. We recommend higher values for the hall reverb.
PRE-DLY TIME Hall Reverb 2 Range: 0000 to 0500 msec
Controls the amount of time it takes for the original signal to be presented to the reverb. Higher
values denote a longer delay.
HF - DAMPING Range: 00 to 99
Controls the rate of attenuation of high frequencies in the decay of the reverberation. As natural
reverb decays, some high frequencies tend to get absorbed by the environment. Increasing the
value of this parameter will gradually filter out (dampen) more and more high-frequency energy.
BANDWIDTH Range: 01 to 99
The high-frequency bandwidth acts as a low pass filter on the signal going into the reverb,
controlling the amount of high frequencies that will pass into the effect. The higher the setting,
- Musician’s Manual 1
- Version 3.0 1
- List Of Tips 4
- Welcome! 6
- Temperature Guidelines 10
- Amplification 10
- Don’t’s: 12
- Reinitializing the TS-10 13
- Need More Help? 14
- Table of Contents 16
- List of Tips 16
- Table of Contents - 4 19
- Section 7 — Effect Parameters 20
- Section 13 — Storage 27
- Appendix 30
- TS-10 Index 30
- Rear Panel Connections 31
- Control Voltage Foot Pedal 32
- Front Panel Controls 33
- Parametric Programming 35
- Sub-pages 35
- Changing a Parameter 35
- Performance Controllers 36
- Pressure (After-touch) 37
- Playing Sounds and Presets 38
- Using the BankSet Button 39
- Selecting a Preset 39
- Selecting a Sound 39
- The SoundFinder™ Feature 40
- Understanding Tracks 42
- Selecting ROM Pitch-Tables 51
- Working with MIDI Loops 58
- Using Presets with MIDI Loops 58
- What is a Preset? 61
- Selecting Presets 61
- Preset Effect 62
- Editing a Preset 63
- Saving a Preset 64
- Sampled Sound BankSets 65
- Replacing a Sound in a Preset 66
- Display Location 68
- Cellos Flute 75
- Latching Patch Selects 81
- Understanding TS-10 Effects 88
- Preset Effects 88
- Sequencer Effect 89
- Selecting Effects 89
- 02 EQ- -DDL+CHORUS+REV 99
- 03 DELAYLFO+CHORUS+REV 100
- 04 ROTOSPKR+CHORUS+REV 100
- 05 DISTORT+CHORUS+REV 102
- 06 PARAM EQ+CHORUS+REV 103
- 07 ENV VCF+CHORUS+REV 103
- 08 DDL+PHLANGR+REV 104
- 09 EQ- -DDL+PHLANGR+REV 106
- 10 DELAYLFO+PHLANGR+REV 106
- 11 ROTOSPKR+PHLANGR+REV 107
- 12 DISTORT+PHLANGR+REV 107
- 13 PARAM EQ+PHLANGR+REV 107
- 14 ENV VCF+PHLANGR+REV 108
- 15 DDL+ROTOSPKR+REV 108
- 16 EQ- -DDL+ROTOSPKR+REV 110
- 17 DELAYLFO+ROTOSPKR+REV 110
- 18 ROTOSPKR+ROTOSPKR+REV 111
- 19 DISTORT+ROTOSPKR+REV 111
- 20 PARAM EQ+ROTOSPKR+REV 111
- 21 ENV VCF+ROTOSPKR+REV 112
- Dual Effects 112
- 22 PLATE + PLATE REVERBS 112
- 23 PARAMETRIC EQ + PLATE 113
- 24 SMALL PLATE REVERB 115
- 25 LARGE PLATE REVERB 1 115
- 26 LARGE PLATE REVERB 2 117
- 27 HALL REVERB 1 117
- 28 HALL REVERB 2 118
- 29 HALL REVERB 3 120
- What is a Program? 121
- Using the Edit Buffer 122
- Using the Select Voice Page 123
- Voices 2 and 3 are muted 124
- Voices 4, 5 and 6 are muted 124
- Voice 1 is soloed 124
- Using the Group Edit feature 125
- Programming the Patch Selects 125
- Voice Programming Pages 127
- TS-10 Voice 128
- Configuration 128
- Modulators 129
- Modulation Sources 130
- Wave Page 134
- Using the Copy Functions 137
- MAKE COPY 138
- Special Recall Functions 139
- Special Copy Operations 139
- About Pitch-Tables 143
- Editing a Custom Pitch-Table 144
- Removing a Custom Pitch-Table 145
- About Wave-Lists 149
- Editing a Wave-List 150
- Removing a Wave-List 151
- About Drum-Maps 152
- How to Create a Drum-Map 153
- Editing a Drum-Map 154
- Removing a Drum-Map 154
- LFO Page 156
- LFO Waveshapes 158
- ENV1, ENV2 and ENV3 Pages 159
- Pitch Page 164
- Pitch Mods Page 166
- Filters Page 167
- FILTER 1 Page 168
- FILTER 2 Page 170
- Output Page 170
- Mod Mixer Page 179
- = output 180
- Program Control Page 182
- Pitch-Table Editor Parameters 185
- Copy Pitch-Table Parameters 187
- Wave-List Editor Parameters 188
- Drum-Map Editor Parameters 190
- Copy Drum-Map Parameters 193
- Program Effects Page 194
- Select Voice Page 194
- Copy Page 194
- Write Program Page 194
- Compare Function 194
- Introduction 195
- Digital Sequencing 195
- What is a Sequence? 195
- What is a Song? 196
- Sequencer Status 197
- Sequencer Banks 197
- Selecting a Sequence or Song 198
- Playing Sequences and Songs 198
- Sequencer Tracks 199
- Important: 204
- Creating a New Sequence 205
- Creating a New Song 206
- Erasing All Sequencer Memory 206
- Recording a Sequence 206
- CNTF appears during 207
- “Punching In” on a Track 209
- The MIDI Connection 211
- MIDI Track Configuration 212
- Song Mode 218
- Song Tracks 220
- Sequencer Tempo Track 224
- Tempo Track Edit Functions 225
- Using Multi-Track Record 227
- Edit Song Page Parameters 231
- INFO Sub-Page 232
- EDIT STEPS Page 233
- Edit Sequence Page Parameters 235
- ADD BARS 237
- DELETE BARS 238
- Edit Track Page Parameters 239
- Quantize points: 243
- Q = Straight 243
- S = Swing 243
- 01 25 49 73 01 Clocks 243
- Using the Quantize Options 244
- 16th 16th 245
- TRANSPOSE 247
- EVENT-LIST 248
- Bar Beat Clock 251
- Click Page 254
- Sequencer Control Page 255
- Song only 259
- Locate Page 261
- Song Locate Page 263
- Edit Times in Song Mode 265
- Song Position Pointers 267
- MIDI Song Selects 267
- MIDI data 270
- MIDI Out 271
- MIDI OutMIDI In 271
- MIDI In 271
- MIDI Thru 271
- Delay Times/Tempo BPM Chart 274
- What is General MIDI? 276
- General MIDI Sound Map 278
- MIDI Out in General MIDI Mode 283
- TS-10 General MIDI Parameters 284
- General MIDI “Panic” button 285
- Program Change YES YES 0-127 290
- TS-10 Disk File Types 292
- File Banks 294
- TS-10 Disk Functions 294
- SAVE — Saving Data to Disk 298
- Naming with the Keyboard 299
- LOAD — Loading Data from Disk 301
- SCSI Option (read-only) 304
- Directories 306
- Direct-Macros™ 307
- MIDI SYS-EX 308
- What are System Exclusives? 311
- TS-10 Disk Messages 315
- Fatal Error Messages 316
- What is a Sampled Sound? 317
- Warning! 317
- Sampled Sound Configuration 318
- About WaveSamples 319
- Loading a Sampled Sound 319
- About Directories 320
- Sampled Sound OPTIONS page 323
- Lack of Memory Message 324
- About the Auto-Load Feature 324
- What is a Surrogate Program 330
- What is a Sample-Banks File 332
- Saving a Sample-Banks File 332
- FileType to be saved 333
- Loading Sample-Edits 336
- WaveSample Envelopes 344
- ENV1, ENV2, ENV3 Pages 345
- TS-10 Filters 350
- Filter 1 = 3 pole / Low-pass 351
- 4 pole / Low-pass 351
- Filter 2 = 1 pole / Low-pass 351
- Volume Mod Source Shaper Page 358
- Layer Page 359
- GLIDE MODES 360
- Version: 2.0 364
- Index TS-10 Musician’s Manual 366
- TS-10 Musician’s Manual Index 367
- Basic information 24 368
- Defined ii 368
- Working with 28 368
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