ENSONIQ TS-10 Specifications Page 120

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TS-10 Musician’s Manual Section 7 — Effect Parameters
25
PRIMARY SEND Range: -99 to +99
Controls the level of the diffused input signal into the reverb definition.
REVB POSITION BAL- (1 to 3) Ranges: -99 to +99
The Position Balance parameters simulate the depth of the hall. Think of these parameters as
three different microphones placed at various distances within the hall (the first is closest to the
front, the third is farthest from the front). When the range (volume) is higher for BAL-1, the
sound appears closer to the front, whereas a higher setting for BAL-3 appears farther from the
front, suggesting a deeper (wetter) hall.
29 HALL REVERB 3
HALL REVERB 3 shares the same signal routing topology as HALL REVERB 2, with a few
additional parameters:
DECAY DIFFUSION Range: 00 to 99
Smears the reverb decay signal.
INPUT DIFFUS Ranges: 00 to 99
These parameters smear the input signal transients to diffuse and smooth the sound. Lower
values cause impulse sounds to appear as a series of discrete echoes, while higher values tend to
increase the smear (smoother sounding with fewer discrete echoes). We recommend settings of
50 for starters. Experiment with different levels between the diffuser parameters to find the
settings that are right for your source.
SPREAD Range: 00000 to 31129
Determines the time intervals between the seven discrete echoes produced by the hall. The time
intervals are adjusted relative to one another.
SHAPE Range: -99 to +99
Determines the relative volume of the seven discrete echoes produced by the hall. At +00 seven
echoes are all the same volume. At -99 the first echo is quietest, with successive echoes increasing
in volume. At +99 produces the opposite effect.
FRONT-TO-BACK LEVS (1 to 3) Ranges: -99 to +99
These three fields simulate the depth of the hall. Think of these fields as three different
microphones placed at various distances within the hall (the first is closest to the front, the third
is farthest from the front). When the range (volume) is higher for the first value, the sound
appears closer to the front, whereas a higher setting for the last value appears farther from the
front, suggesting a deeper (wetter) hall.
L/R BALANCE Range: -99 to +99
Controls the left/right stereo balance of the hall reverb signal. A setting of -99 would offer hard
left, whereas a setting of +99 would offer hard right. A setting of +00 would place the reverb in
the center of the stereo spectrum.
PRIMARY SEND Range: -99 to +99
Controls the level of the diffused input signal into the reverb definition.
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